It was a great way to celebrate Independence Day: a screening of Shattered Sky at the U.S. State Department on Tuesday. It was an honor, given the history of the institution and the role its employees played during the ozone crisis.
George C. Marshall auditorium welcomed us: the “Marshall” in “Marshall Plan.” Dan Evans and I fielded a bevy of smart and challenging questions following the show: about climate policy, the interplay between regulation and technology, the importance of citizen action.
In 1985, 20 countries signed the Vienna Convention to set up a framework for negotiating international regulations of ozone-depleting substances like CFCs. Chief U.S. Negotiator Richard Benedick (who is in our film) must have walked these State Department halls and had lively debates with his team. How would they set the tone for global cooperation on a future global treaty?
Less than two years later, following the discovery of the ozone hole, Benedick and the EPA’s Lee Thomas led the American presence at the important signing of the Montreal Protocol, where 24 countries formally committed to phasing out 50 percent of CFCs. Subsequently, the Montreal Protocol got updated seven times, and more than 190 countries eventually signed it. And they all phased out 100% of CFCs.
For me, that’s the main lesson on climate. You don’t have to get it 100% right at first. Gather up the main players, take an important first step. Then update the plan together. Don’t let the perfect be the enemy of the good. We’re coming up on the 25th anniversary this September. Hopefully, more of us will take notice that in 1987, America led the world to a global solution on the ozone crisis.
Will we will all take inspiration to take smart action on climate? Only time will tell.
Most importantly, our Shattered Sky team is growing, and setting a solid foundation for a campaign to make a huge impact on the issues come September – the 25th anniversary of the Montreal Protocol, the international ozone treaty.
The New York Times article quoted me well: “Shattered Sky is not about the science. It’s about what a responsible leader does when there’s a good chance the science is right. It’s important to remember that the first draft of the ozone treaty wasn’t perfect. It was a first step. It showed the world that America was committed to lead — and that made all the difference.”
The festival was super. Expertly run, our screening was super packed. We had Sunshine Mendez moderating, with Rolling Stone editor Jeff Goodell joining Dan Evans and me on stage for the panel afterwards.
We had a private reception at the nearby Hotel Rouge following the panel, with about 100 people. National Wildlife Federation CEO Larry Schweiger talked about the educational partnership with Shattered Sky.
I’m personally really excited about this, and will write more as it continues to take shape. The outreach will focus primarily on high school and college. It will be national. It will be a combined science and civics curriculum. And it will focus on the positive message that America led the world to a solution on the ozone crisis during the Reagan Administration—and we can do it again on energy and climate.
If you’re on Facebook, you can see the photos of the film, the vibe, and the party.
It’s been a crazy month, but has exceeded all my expectations. Thanks to everybody for all you’re doing to get our campaign going. You know who you are!
Great time today in sweltering Houston, where a pocket of film-lovers and runners came to a showing of Volcanic Sprint organized by Real Films. The Aurora Theater, an inspired second act for a 1920s church, is intimate, with a wood-paneled ceiling and walls. The Q&A goes an hour, with people interested in Cameroon’s situation almost as much as the particulars of the race. And with Saint Arnold Brewing Company a sponsor, the night is complete. Jeff Mills and his wife Barbara are founders of Real Films (and principals of Houston’s own IO Communications). Not only did they put on a classy event, but they made me feel right at home — if only for a day in Houston.
I have to admit that this film festival is killer! Not only did the programmers get some amazing films here, but all the organizers are relentlessly nice, and have created a very low-key atmosphere for us to just hang out and meet each other. In between watching amazing documentaries like “Class C” and “Man on Wire,” I hobnobbed with a lot of very inspiring people — including a sizable DC contingent. Here, from left, are Virginia Williams, producer of Frontrunner; Karim Chrobog, director of War Child; Brian Liu, director of Disarm (which won its category in the 2006 Jackson Hole Film Fest); and yours truly. Cool festival.
Volcanic Sprint played at the DC Independent Film Festival today. It was preceded by two other short African-issue films produced by Western filmmakers. Co-producer Dan ducked out at the credits, so I flew solo for the Q&A. Later, we met up with some friends at Roger Miller Restaurant in Silver Spring for some Cameroonian food. Good to catch up with owner and friend Emmanuel Bobga.
Almost as soon as I finished Volcanic Sprint last year, I imagined having a public viewing where we shot in — in Buea, Cameroon. It would need to be free and in the open air. I pictured it showing in the dirt in-field where the Mt. Cameroon Race begins and end, at Molyko Stadium.
Tonight, it happens, and the Buea Post Weekender edition publicizes it well. Moki, Dan, and I say a few words on stage, then Volcanic Sprint plays. As many as two or three thousand people attend, stretching back beyond the track to packed stadium bleachers. I sit crossed-legged in the dirt and watch them watching, blue light flickering on childrens’ expectant faces. Buea’s children: watching their neighbors, their heros, dance upon the big screen.