“What’s African about this volcano summit?” I was asking myself in a sound-design session today for my documentary film, Volcanic Sprint. Our footage was extreme up on the summit of Mt. Cameroon (the halfway point of the race). But it was so freezing that the camera intermittently failed to capture audio. When a female leader summits, race staff shout encouragement in a sing-songy chorus of English and Bakweri dialect. It’s a joyous barrage, carving out space from the wind and cold and expanse.
When the men leaders summit, however, the audio cuts off. You can’t even hear the 50 mile-per-hour winds. In the silence, my thoughts go tangential and I imagine the racers talking in German. Who knows why. But if World War I had gone differently, Cameroon might still be German Kamerun. In fact, three other African states share similar histories of German colonization: Togo, Namibia (South-West Africa), and Tanzania (Tanganyika). Racers would be clad in lederhausen.
During our session, the music composed by Asparagus Media ultimately carried the drama, and when we needed wind, our sound designer, Howard at TEAM, made it happen. Then I remembered something I learned during production in Cameroon. When the town of Buea erected a statue for perennial winner, the Queen of the Mountain, her son Pierrot told me, clearly proud, that it was the second statue in the entire province. “What’s the other one?” I asked. Without hesitation he answered: “Bismarck.”